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Wonders Of Creation And The Singularities Of Painting

Wonders Of Creation And The Singularities Of Painting
Author: Carboni Stefano Carboni
Publisher: Edinburgh University Press
ISBN: 1474465633
Size: 62.83 MB
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The subject of this book is the so-called London Qazvini, an early 14th-century illustrated Arabic copy of al-Qazvini's The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the London Qazvini is lavishly illustrated, with 368 extant paintings out of the estimated original ca. 520.Its large format, ambitious illustrative cycle and the fine quality of many of the illustrations suggest that the atelier where it was produced must have been well-established and able to attract craftsmen from different parts of the Ilkhanid area. It also suggests that its patron was wealthy and curious about scientific, encyclopedic and cajA 'ib literature, and keen to experiment with the illustration of new texts like this work, which had been composed by the author only two or three decades earlier. The only centre that was capable of gathering such artistic influences ranging from Anatolia to Mesopotamia appears to have been Mosul.The London QazvA nA is an important newly surfaced document for the study of early illustrated Arabic copies of this text, representing the second earliest known surviving manuscript, as well as for the study of Ilkhanid painting. In a single and unique manuscript are gathered earlier Mesopotamian painting traditions, North Jaziran-Seljuq elements, Anatolian inspirations, the latest changes brought about after the advent of the Mongols, and a number of illustrations of extraordinary subjects which escape a proper classification.
Wonders of Creation and the Singularities of Painting
Language: en
Pages: 456
Authors: Carboni Stefano Carboni
Categories: Art
Type: BOOK - Published: 2020-03-31 - Publisher: Edinburgh University Press
The subject of this book is the so-called London Qazvini, an early 14th-century illustrated Arabic copy of al-Qazvini's The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the
The Wonders of Creation and the Singularities of Ilkhanid Painting
Language: en
Pages: 1214
Authors: Stefano Carboni
Categories: Illumination of books and manuscripts, Iranian
Type: BOOK - Published: 1992 - Publisher:
Books about The Wonders of Creation and the Singularities of Ilkhanid Painting
Medieval Islamic Civilization
Language: en
Pages: 933
Authors: Josef W. Meri
Categories: History
Type: BOOK - Published: 2006 - Publisher: Psychology Press
Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the seventh and sixteenth century. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, art history, history,
The Legacy of Genghis Khan
Language: en
Pages: 322
Authors: Linda Komaroff, Stefano Carboni, Metropolitan Museum of Art (New York, N.Y.), Los Angeles County Museum of Art
Categories: Art
Type: BOOK - Published: 2002 - Publisher: Metropolitan Museum of Art
Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New
Following the Stars
Language: en
Pages: 48
Authors: Stefano Carboni
Categories: Decorative arts, Medieval
Type: BOOK - Published: 2013 - Publisher: Metropolitan Museum of Art
Books about Following the Stars
Glass of the Sultans
Language: en
Pages: 330
Authors: Stefano Carboni, David Whitehouse, Robert H. Brill, Corning Museum of Glass, William Gudenrath, Metropolitan Museum of Art (New York, N.Y.)
Categories: Art
Type: BOOK - Published: 2001 - Publisher: Metropolitan Museum of Art
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds,
Book of Beasts
Language: en
Pages: 354
Authors: Elizabeth Morrison
Categories: Art
Type: BOOK - Published: 2019-06-04 - Publisher: Getty Publications
"This publication is issued on the occasion of the exhibition Book of Beasts: The Bestiary in the Medieval World, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from May 14 to August 18, 2019."
Dome of the Rock and its Umayyad Mosaic Inscriptions
Language: en
Pages: 320
Authors: Marcus Milwright
Categories: Religion
Type: BOOK - Published: 2019-04-01 - Publisher: Edinburgh University Press
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. When was it built? What meanings was it meant to convey to viewers at the time of its construction? These are questions that have preoccupied historians of Islamic art and architecture,
Picture Ecology
Language: en
Pages: 304
Authors: Karl Kusserow
Categories: Art
Type: BOOK - Published: 2021-10-19 - Publisher: Princeton University Press
A diverse set of contributions to the expanding field of ecocritical studies Seeking a broad reexamination of visual culture through the lenses of ecocriticism, environmental justice, and animal studies, this compendium offers a diverse range of art-historical criticism formulated within an ecological context. Picture Ecology brings together scholars whose contributions
Making of the Artist in Late Timurid Painting
Language: en
Pages: 280
Authors: Lamia Balafrej
Categories: Art
Type: BOOK - Published: 2019-04-01 - Publisher: Edinburgh University Press
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did