Author: Louis D Giannetti
Publisher: Pearson
ISBN: 9780205856169
Size: 20.47 MB
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From the Publisher: Helps readers understand how the many languages of film work together to create meaning. Louis Giannetti organizes Understanding Movies around the key elements of filmmaking, including cintematography, Mise en Scene, movement, editing, sound, acting, drama, casting, story, screenwriting, ideology, and theory. He synthesizes every element through a complete case study: Citizen Kane. This book's ideas are illuminated with hundreds of high-quality still photos, more than 70 in full color, taken from movies such as The Matrix, Almost Famous, jackass the movie, Chicago, Lord of the Rings, Mystic River, and Traffic. New in this edition: a full section on contemporary special effects and computer generated imagery (CGI); up-to-the-minute information on new developments in film technology; more coverage of recent films and filmmakers; more ethnic diversity (including new material on the Islamic cinema); and more lavish use of color and high-quality paper. An updated Companion Website contains animations, video clips from interviews with movie professionals, and Research Navigator access to New York Times film reviews. For everyone who wants to understand the artistry and meaning of the movies.
Language: en
Pages: 550
Pages: 550
From the Publisher: Helps readers understand how the many languages of film work together to create meaning. Louis Giannetti organizes Understanding Movies around the key elements of filmmaking, including cintematography, Mise en Scene, movement, editing, sound, acting, drama, casting, story, screenwriting, ideology, and theory. He synthesizes every element through a
Language: en
Pages: 527
Pages: 527
Language: en
Pages: 4
Pages: 4
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices
Language: en
Pages: 305
Pages: 305
Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information
Language: en
Pages: 588
Pages: 588
The second volume of a two-part, outcomes-based series in media studies. It includes theoretical approaches as well as a production section that focuses on basic techniques.
Language: en
Pages: 216
Pages: 216
"The United States has come to know Spain, its people, and its land through its literature and, more recently, through the international distribution of many of its films. This analysis aims to probe the creative Spanish soul in greater depth through the particular prism of the cinematic adaptation." "The analysis
Language: en
Pages: 352
Pages: 352
Moving Images is the first comprehensive media studies and motion picture production textbook of its kind. Offering a series of thematically-driven units that provide opportunities for collaborative learning, enhancement of creativity, and development of higher order thinking, this book is designed to get your students excited about making movies. Students
Language: en
Pages:
Pages:
Language: en
Pages: 576
Pages: 576
For courses in Introduction to Film An engaging, accessible introduction to film Understanding Movies provides valuable insight into the language of film and how meaning is conveyed to audiences. Author Louis Giannetti engages students in the fascinating language systems and techniques of film and helps further their appreciation and understanding
Language: en
Pages: 192
Pages: 192
Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world. The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in